Death Over Life | SOLO EXHIBITION

Overlap Newport
March 21-May 2, 2025
112 Van Zandt Ave. Newport, RI
Hours: Thu to Fri 11 am-6 pm, Saturday 12-5 pm, and by appointment

Opening reception: Saturday, March 21, 2026  |  2-4 pm
Artists’ Talk:  Saturday,  April 18, 2026  |  3-4:30 pm

Through disparate approaches, Elizabeth Alexander, Mara Trachtenberg, and Kailey Coppens explore domestic interiors as richly layered visual and psychological terrains  where identities, values, and memories are formed.

About “Death Over Life” on Overlap Newport’s website

Elizabeth Alexander will be presenting a selection of installation-based sculptures and photographs from her 2022 exhibition at the North Carolina Museum of Art, which featured a wallpaper motif with a gradient of hand-painted flowers in bloom and in decay. Throughout the creation of many of her works, Alexander uses processes of removal, accumulation and reconfiguration of floral motifs in wallpaper and porcelain dishes. She casts functional, decorative, and natural materials in hand-made paper - grafting them together to create new meaning from familiar surroundings.

“From the Book of Time”, a poem by Mary Oliver, contains the namesake for Elizabeth Alexander’s installation “and you didn’t even know enough to be sorry.” She says, “That section of the poem describes the feeling of relief when a storm is visible, but distant enough to not be impacted, yet alludes to an unwitting complicity or affectedness.  Like the poem, there is evidence of time passing and changing the contents of this show: figures sit idly in images while they dissolve, porcelain tableware is worn down into delicate shells, floral decor is dying before one's' eyes. Scavenged domestic forms and floral decor are blended with cast storm debris to imbue these objects of order and comfort with the unpredictability and slow evolution of the natural world. Within these 'beautiful disasters' I work to bring forth the increasing vulnerability within our surroundings often hidden among the pleasantries.  I work to envision the humanity embedded within our surroundings and uncover the porousness of our walls and the interconnectivity we often forget (or ignore) is there.”

Fluid State of Land | GROUP EXHIBITION

Wayne State Galleries
February 10 - March 28, 2025
147 Art Building, 5400 Gullen Mall  |  Detroit, MI 48202
NCECA Conference Reception: Thursday, March 26, 6-9PMGallery Hours: Wednesday and Friday, 12-5PM; Thursday, 12-2PMContact: Laura Makar, Gallery Manager; laura.makar@wayne.edu

Featuring Artists: Elizabeth Alexander,  Magdolene Dykstra, Quinn Alexandria Hunter, Bri Murphy, Joey Quiñones, Lauren Sandler, Rose Schreiber

The Semiquincentennial (250-year anniversary) of the United States of America offers a potent opportunity for reflection and discourse. At the signing of the Declaration of Independence in 1776, the territory which constituted these new “united states” only accounted for a small fraction of the land the modern American Empire occupies today. These lands, which have held and nourished generations of peoples for much longer than a quarter millennium, are under imminent threat in myriad ways. From questions of property, ownership, and legacy to notions surrounding extraction, cultivation, and exploitation, the artists in this exhibition offer counter narratives to a monolithic story of America. These stories give a new shape or volume to the way we understand the construct of America. Not only in ideas of containment and expansion, but in terms of weight of what is held in the energies embedded in land and in clay. 

Detroit, a city that has been shaped by cycles of migration, extraction, and reinvention, offers a critical lens through which to examine the American narrative. Through layered histories rooted in land, labor, and legacy, Detroit mirrors some of the broader questions posed by this exhibition. What histories lie beneath the surface of the land we occupy? How do inherited stories of land and loss shape cultural identity and belonging? How do we reckon with the land not as a possession, but as a witness? The forces that have pressed upon Detroit are both visible and embedded, forming volumes of memory, resistance, and transformation. In this way, Detroit becomes more than a setting; it too becomes a vessel, holding the tensions and possibilities that define a 250 year experiment.

This exhibition was curated by Quinn Alexandria Hunter and Bri Murphy.

The Armory Show: Focus section
September 5th - 6th | 11am - 7pm & September 7 | 11am - 6pm
VIP Preview on Thursday September 4
Javits Center 429 11th Ave, New York, NY 10001

K Contemporary at the Armory Show

"K Contemporary is thrilled to announce its debut appearance at The Armory Show in New York City. Featuring Elizabeth Alexander in an immersive solo booth entitled Beautiful Disasters, our installation is part of The Armory's Focus Section. This year's theme highlights the American South—a vital region that is a nexus for diverse populations and a pillar in contemporary American art. 

Elizabeth Alexander convolutes the at-once gentile, elegant, hazardous, and entrenched tones of the American South as she examines the region's social and environmental climate through the remnants of domestic material culture. Collected and exhibited by museums such as Crystal Bridges Museum of American Art, the Mint Museum, the North Carolina Museum of Art, the Nasher Museum, and the National Museum of Women in the Arts, her work deconstructs and reassembles fine China, found wallpaper, furniture, and decorative household objects to tell exquisite visual stories. Elizabeth lived in North Carolina for years, teaching at UNC’s School of the Arts and connecting with local curators and venues. Now in Massachusetts, she still reckons with her Southern roots, the Civil War, and her ancestors’ complicity with slavery.

Our booth captures her complex affinity to the South with a breathtaking installation of both hand-cut vintage and artist-designed vinyl wallpaper draped around casts of household objects.  Her wallpaper subtly depicts the degradation of flowers and birds from her Southern garden as an ode to the effects of regional flooding and climate change. On plinths and hung on her wallpaper, we’ll show Elizabeth’s reconstructed sconces and porcelain where she has laboriously extracted all of the telltale China patterns that confer value. These meticulous, lace-like pieces include Confederate commemorative plates with all of the offending generals removed, reduced to dust, and collected in glass vials. You can’t erase history, but art can induce nuanced conversations about it.” -K Contemporary 

Tracey Morgan Gallery
August 16-September 27, 2025
Reception August 15 6-8pm
22 London Rd, Asheville, NC

"Pulling from a wide array of source materials, Alexander recontextualizes objects traditionally associated with domesticity such as wallpaper, upholstered furniture, and porcelain ware, probing at the societal, historical, and personal meanings embedded within. Her meticulously rendered works reveal the many contradictions lurking beneath the surface of lovely, docile appearances. 

The title of the exhibition, taken from a poem by Mary Oliver, describes the feeling of relief when a storm is visible, but distant. Like the poem, there is evidence of time passing and changing the contents of this show: figures sit idly in images while they dissolve, porcelain tableware is worn down into delicate shells, floral decor is dying before one’s eyes. Alexander blends scavenged domestic forms and floral decor with cast storm debris to imbue objects of order and comfort with the unpredictability and slow evolution of the natural world. Within these 'beautiful disasters' she works to bring forth the increasing vulnerability within our surroundings often hidden among the pleasantries.  Her work envisions the humanity embedded within our surroundings and uncovers the porousness of our walls and the interconnectivity we often forget (or ignore) is there." -Tracey Morgan Gallery 

From The Book of Time

TW Fine Art
April 10-May 31
Reception April 10 5-8pm
2412 Florida Ave. West Palm Beach, FL

The Great Enemy of Truth is included in Spirits in the Material World at TW Fine Art alongside an exciting roster of artists: Michael Assiff, Aubrey Longley-Cook, Brian Downey, Vanessa German, Leah Guadagnoli, Keith Haring, Regina Durante Jestrow, Ben Leone, Yasue Maetake, Sean Mellyn, Jack Pierson, Ugo Rondinone, Kathy Rudin, Mia Wright Ross, Baylee Schmitt, Joyce J. Scott, and Max Simon.

Spirits in the Material World

The Chicago-based Harpo Foundation was established in 2006 to support emerging visual artists, stimulate creative inquiry, and encourage new modes of thinking about art.

To that end, the foundation is inviting applications for its Visual Artists Grants program. Through the program, grants of up to $10,000 will provide direct support to underrecognized visual artists age 21 or older. Applications are evaluated on the basis of the quality of the artist’s work, the potential to expand aesthetic inquiry, and its relationship to the foundation’s priority to provide support to visual artists who are under recognized by the field.

Harpo Grant recipient

Craft Innovation Jumpstarter Grant recipient

The Society of Arts + Crafts believes that the pursuit of craft necessitates a problem-solving mindset: craft makers are explorers, researchers, material risk takers and small business owners. They pursue new ideas and solutions for their work with a deep understanding of their materials and processes. Their imagination and desire for lifelong learning offer craft artists exciting opportunities for discovery and interdisciplinary innovation. When craft artists are ready to bring their solutions and innovations to the next stage, however, they often lack the necessary funds to make investments toward their new direction. The goal of the Society of Arts + Crafts is to assist artists to bridge this gap.